{"id":121,"date":"2016-12-19T11:10:03","date_gmt":"2016-12-19T11:10:03","guid":{"rendered":"http:\/\/yenimedya.aydin.edu.tr\/?page_id=121"},"modified":"2017-05-10T06:01:24","modified_gmt":"2017-05-10T06:01:24","slug":"ejnm_v01i1108","status":"publish","type":"page","link":"https:\/\/yenimedya.aydin.edu.tr\/tr\/ejnm_v01i1108\/","title":{"rendered":"ejnm_v01i1108"},"content":{"rendered":"

J. BAUDR\u0130LLARD\u2019IN \u2018S\u0130M\u00dcLASYON\u2019 VE J. HU\u0130Z\u0130NGA\u2019NIN \u2018OYUN\u2019 KURAMLARI \u00dcZER\u0130NDEN \u2018MATRIX I\u2019 F\u0130LM\u0130N\u0130N DE\u011eERLEND\u0130R\u0130LMES\u0130<\/strong><\/p>\n

Ayten \u00c7ALI\u015e<\/p>\n

\u00d6Z<\/strong><\/p>\n

\u00c7al\u0131\u015fmada, adeta bir merkezka\u00e7 kuvvetiyle \u2018h\u0131z\u2019<\/em> ve \u2018t\u00fcketim\u2019 <\/em>olgular\u0131 etraf\u0131nda d\u00f6nen \u2018modern \u00e7a\u011f\u2019<\/em>\u0131n do\u011furdu\u011fu \u2018anlam yitimi\u2019<\/em> ve bu mevcut tehlikenin a\u00e7\u0131\u011fa \u00e7\u0131kard\u0131\u011f\u0131 \u2018matr\u0131x ya\u015fant\u0131s\u0131\u2019<\/em>; Jean Baudrillard\u2019\u0131n \u2018sim\u00fclasyon\u2019 <\/em>ve Johan Huizinga\u2019n\u0131n \u2018oyun\u2019 <\/em>kuramlar\u0131 \u00e7er\u00e7evesinde ortaya konulacak ve s\u00f6z konusu kuramlar\u0131n i\u00e7erikleri tan\u0131mlanacakt\u0131r. \u2018Matr\u0131x Serisi\u2019nin birinci filmi \u2018\u00f6rneklem\u2019 kabul edilerek \u2018matr\u0131x\u2019 <\/em>denilen olgu ele al\u0131nacak ve \u2018sanal bir oyun d\u00fcnyas\u0131\u2019nda ya\u015famam\u0131za, \u2018dev bir sim\u00fclasyon\u2019un i\u00e7inde olmam\u0131za ra\u011fmen \u2018hiper-ger\u00e7ek\u2019<\/em> denilen sahte ger\u00e7ekli\u011fin modern insana \u2018ger\u00e7ek d\u00fcnya\u2019 olarak dayat\u0131l\u0131yor olmas\u0131 tezi temellendirilecektir. \u2018Matr\u0131x\u2019<\/em> ya da \u2018matr\u0131x ya\u015fant\u0131s\u0131\u2019<\/em> olarak ifade edilen boyutun bireysel ve sosyal plan\u0131 J. Baudrillard\u2019\u0131n \u2018hiper-ger\u00e7ek\u2019,<\/em> J. Huizinga\u2019n\u0131n \u2018oyun\u2019<\/em> kavramlar\u0131 \u00fczerinden analiz edilecek ve \u00f6rneklem, \u2018filmsel anlat\u0131\u2019<\/em> y\u00f6ntemi kullan\u0131larak incelenecektir. Ayr\u0131ca \u2018Matr\u0131x I\u2019 \u00fczerinden a\u00e7\u0131lacak olan \u2018sim\u00fclasyon\u2019 <\/em>ve \u2018oyun\u2019<\/em> kavramlar\u0131; hem \u2018insan\u0131n kendi s\u0131n\u0131rlar\u0131 i\u00e7indeki bireysel boyutu\u2019 ile, hem de \u2018insan\u0131n kendi s\u0131n\u0131rlar\u0131 d\u0131\u015f\u0131ndaki sosyal ve k\u00fcresel boyutu\u2019 ile ele al\u0131nacakt\u0131r. – \u2018\u0130nsan\u0131n kendinde sim\u00fcle ettikleri, kendi kendine oynad\u0131\u011f\u0131 oyun\u2019 ile (bireysel boyut) \u2018insanla d\u0131\u015f \u00e7evresi aras\u0131ndaki sim\u00fclasyon ve oyun\u2019 (sosyal boyut \/ sosyo-matr\u0131x) – \u00d6zetle \u2018matr\u0131x\u2019<\/em> kavram\u0131n\u0131n bireye bakan ki\u015fisel boyutu d\u0131\u015f\u0131nda, \u201ckitlelere rol bi\u00e7en belirli sermaye gruplar\u0131n\u0131n h\u00fckmetti\u011fi kitle ileti\u015fim ara\u00e7lar\u0131nca \u00fcretilen \u2018sosyal sim\u00fclasyon\u2019 boyutu\u201d<\/em> da ele al\u0131nacak ve \u2018birey\u2019in s\u0131n\u0131rl\u0131, sahte, ilizyonik bir alana s\u0131k\u0131\u015ft\u0131r\u0131l\u0131\u015f\u0131; \u2018hiper-ger\u00e7ekli\u011fin sosyal boyutu\u2019 olarak tan\u0131mlanabilecek \u2018sosyo-matr\u0131x\u2019<\/em> kavram\u0131 do\u011frultusunda a\u00e7\u0131klanacakt\u0131r.<\/p>\n

Anahtar Kelimeler:<\/em><\/strong> Sim\u00fclasyon, Oyun, Hiper-Ger\u00e7ek, Sanal Ger\u00e7eklik, Matrix\/Sosyo-Matrix, \u00a0\u00a0\u00a0T\u00fcketim, Teknolojik Belirlenimcilik, Anlam Yitimi<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

ANALYSIS OF \u2018THE MATRIX I\u2019 FILM BY J. BAUDRILLARDS\u2019 SIMULATION AND J. HUIZINGAS\u2019 GAME THEORY<\/strong><\/p>\n

ABSTRACT<\/strong><\/p>\n

The ‘matrix experience’ that the emerge of\u00a0 present\u00a0 danger brings about is ‘loss of meaning’ which the ‘modern age’ born, which circles around the ‘speed’ and ‘consumption’ cases with a centrifugal force; \u0131t will be revealed within the framework of Jean Baudrillard’s ‘simulation’ and Johan Huizinga’s ‘game’ theories, and the contents of such theories will be defined. ‘Matrix’ will be dealt with by accepting the first film of \u2018Matrix Series\u2019 as a ‘sample’, and ‘ life in a virtual game world’,\u00a0 although live in a giant simulation will be base of this thesis as\u00a0 ‘modern people is being imposed as \u2018real world\u2019 because of the false reality called ‘hyper real’. The individual and social plan of the dimension expressed as ‘Matrix’ or ‘Matrix experience’ will be analyzed through J. Baudrillard’s ‘hyper-real’, J. Huizinga’s ‘game’ concepts and the use of sampling and ‘film narrative’. In addition, the concepts of ‘simulation’ and ‘game’ which will be opened via ‘Matrix I’; will be dealt with both by ‘the individual dimension of man within its borders’ and by ‘the social and global dimension of man outside his borders’. Simulation and play (social dimension \/ socio-matrix) between man and the outside world (individual dimension) with the ‘game played by man in his or her own self’ – In summary, The ‘social simulation’ dimension produced by the mass media ruled by the capital groups will be dealt with and the ‘compacting of the individual into a limited, fake, ilusional space; socio-matrix ‘concept which can be defined as’ the social dimension of hyper-reality’.<\/p>\n

Keywords :<\/em><\/strong> Simulation, Game, Hyper-Reality , Virtual Reality, Matrix \/ Socio-Matrix, Consumption, Technological Determinism, Loss of Meaning<\/em><\/p>\n

 <\/p>\n

TAM MET\u0130N
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PDF<\/a><\/p>\n

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J. BAUDR\u0130LLARD\u2019IN \u2018S\u0130M\u00dcLASYON\u2019 VE J. HU\u0130Z\u0130NGA\u2019NIN \u2018OYUN\u2019 KURAMLARI \u00dcZER\u0130NDEN \u2018MATRIX I\u2019 F\u0130LM\u0130N\u0130N DE\u011eERLEND\u0130R\u0130LMES\u0130 Ayten \u00c7ALI\u015e \u00d6Z \u00c7al\u0131\u015fmada, adeta bir merkezka\u00e7 kuvvetiyle \u2018h\u0131z\u2019 ve \u2018t\u00fcketim\u2019 olgular\u0131 etraf\u0131nda d\u00f6nen… <\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-121","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/121"}],"collection":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/comments?post=121"}],"version-history":[{"count":4,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/121\/revisions"}],"predecessor-version":[{"id":457,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/121\/revisions\/457"}],"wp:attachment":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/media?parent=121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}