{"id":133,"date":"2016-12-19T11:18:59","date_gmt":"2016-12-19T11:18:59","guid":{"rendered":"http:\/\/yenimedya.aydin.edu.tr\/?page_id=133"},"modified":"2017-05-10T06:01:47","modified_gmt":"2017-05-10T06:01:47","slug":"ejnm_v01i1112","status":"publish","type":"page","link":"https:\/\/yenimedya.aydin.edu.tr\/tr\/ejnm_v01i1112\/","title":{"rendered":"ejnm_v01i1112"},"content":{"rendered":"

\u0130L\u00dcZYONUN \u00d6TES\u0130: \u00d6ZNEL BAKI\u015e A\u00c7ISI KULLANIMI EKSEN\u0130NDE S\u0130NEMANIN YANSILSAMASINDAN D\u0130J\u0130TAL\u0130N SANAL GER\u00c7EKL\u0130\u011e\u0130NE<\/strong><\/p>\n

Selin S\u00dcAR<\/p>\n

\u00d6Z<\/strong><\/p>\n

Bireyin, kendi bak\u0131\u015f a\u00e7\u0131s\u0131 ve kendi g\u00f6z\u00fcnden d\u0131\u015f d\u00fcnya ile kendini anlamland\u0131rd\u0131\u011f\u0131 ger\u00e7ek ve ger\u00e7eklik olgusu, ayn\u0131 zamanda \u00e7a\u011flar boyunca felsefenin ve sanat\u0131n ba\u015fl\u0131ca konular\u0131ndan biri olmu\u015ftur. \u0130nsan\u0131n kendi bilincinin d\u0131\u015f\u0131nda da nesnel olarak var olabilen her \u015fey olarak tan\u0131mlanabilen ger\u00e7eklik, be\u015f duyu organ\u0131yla tecr\u00fcbe edileben veya edilemeyen, soyut ya da somut t\u00fcm olgular\u0131 ve nesneleri kapsamaktad\u0131r. Gen\u00e7 bir sanat olan sinemada ger\u00e7eklik, teknolojinin geli\u015fimi ve sinema dilinin oturmas\u0131yla beraber farkl\u0131 \u015fekillerde temsil edilmi\u015f, film yap\u0131m s\u00fcrecinde devreye giren i\u00e7sel ve d\u0131\u015fsal yap\u0131yla birlikte bi\u00e7imlenmi\u015ftir. Ba\u015flang\u0131\u00e7ta insanlar\u0131 e\u011flendirmek i\u00e7in kullan\u0131lan seyirlik g\u00f6r\u00fcnt\u00fclerin yerini y\u0131llar i\u00e7erisinde konulu filmler alm\u0131\u015f, sinema ve seyirci ili\u015fkisi farkl\u0131 film i\u00e7erikleri ve sinematografiyle beraber de\u011fi\u015fken bir yap\u0131ya sahip olmu\u015ftur. Sinema, seyircisi \u00fczerinde ger\u00e7eklik hissini daha da art\u0131rmak amac\u0131yla teknolojinin kendisine tan\u0131d\u0131\u011f\u0131 olanaklar\u0131 en iyi \u015fekilde kullanm\u0131\u015f, bu ise farkl\u0131 bir ger\u00e7ekli\u011fin do\u011fmas\u0131na neden olmu\u015ftur. Say\u0131sal teknolojinin y\u00fckseli\u015fiyle birlikte dijital medya \u00fcr\u00fcnleri, ger\u00e7ek ve sanal\u0131n birbirine kar\u0131\u015ft\u0131\u011f\u0131 bir ortam yaratm\u0131\u015ft\u0131r. Yapay ger\u00e7eklikler ger\u00e7eklerden \u00e7ok daha inand\u0131r\u0131c\u0131 ve y\u00f6nlendirici bi\u00e7imde bireylere seslenmekte, kar\u015f\u0131m\u0131za ger\u00e7e\u011fin bamba\u015fka bir boyutu \u00e7\u0131kmaktad\u0131r.<\/p>\n

Anahtar Kelimeler:<\/strong> VR teknolojisi, sinema, seyirci, ger\u00e7eklik, sim\u00fclasyon<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

BEYOND THE ILLUSION: FROM THE ILLUSION OF THE CINEMA TO THE DIGITAL VIRTUAL REALITY RELATED WITH THE SUBJECTIVE POINT OF VIEW<\/strong><\/p>\n

ABSTRACT<\/strong><\/p>\n

The personal opinion of the individual and the reality allow a man to describe himself to interpret the outside world, have become one of the main topics of philosophy and art throughout the ages. The reality, which can be defined as anything that exists objectively beyond the consciousness, covers all the abstract and solid facts and objects which can or cannot be experienced with the five sensory organs. The reality case in the cinema, which can be considered as a young art, is shaped by the development of technology and cinema language, together with the internal and external structure that is represented in different forms and they are engaged in the film making process. In the beginning, the cinematic images used to entertain the people have been replaced by film titles over the years, and the cinema and audience relationship has a variable structure with different film content and cinematography. Cinema has used the opportunities which is provided by the technology, in order to further enhance the sense of reality on the audience. As the result this has led to a different reality. With the rise of digital technology, digital media products have created an environment where real and virtual are emerged. Artificial realities call out to individuals more convincingly and presents a guiding way than facts, and a totally different dimension of reality is emerging.<\/p>\n

Keywords<\/strong>: VR technology, cinema, audience, reality, simulation.<\/em><\/p>\n

 <\/p>\n

TAM MET\u0130N
\n<\/strong><\/p>\n

PDF<\/a><\/p>\n

 <\/p>\n

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\u0130L\u00dcZYONUN \u00d6TES\u0130: \u00d6ZNEL BAKI\u015e A\u00c7ISI KULLANIMI EKSEN\u0130NDE S\u0130NEMANIN YANSILSAMASINDAN D\u0130J\u0130TAL\u0130N SANAL GER\u00c7EKL\u0130\u011e\u0130NE Selin S\u00dcAR \u00d6Z Bireyin, kendi bak\u0131\u015f a\u00e7\u0131s\u0131 ve kendi g\u00f6z\u00fcnden d\u0131\u015f d\u00fcnya ile kendini anlamland\u0131rd\u0131\u011f\u0131… <\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-133","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/133"}],"collection":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/comments?post=133"}],"version-history":[{"count":8,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/133\/revisions"}],"predecessor-version":[{"id":460,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/133\/revisions\/460"}],"wp:attachment":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/media?parent=133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}