{"id":734,"date":"2018-03-13T08:53:05","date_gmt":"2018-03-13T08:53:05","guid":{"rendered":"http:\/\/yenimedya.aydin.edu.tr\/?page_id=734"},"modified":"2018-07-17T08:37:12","modified_gmt":"2018-07-17T08:37:12","slug":"ejnm_v02i2103","status":"publish","type":"page","link":"https:\/\/yenimedya.aydin.edu.tr\/tr\/ejnm_v02i2103\/","title":{"rendered":"ejnm_v02i2103"},"content":{"rendered":"<p><strong>KARNAVALESK KURAMI VE INSTAGRAM ORTAMINA YANSIMALARI <\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Ece UYGUN<\/p>\n<p>Deniz AKBULUT<\/p>\n<p><strong>\u00d6Z<\/strong><\/p>\n<p>Enformasyon teknolojisi devrimi, \u00f6zg\u00fcrl\u00fck\u00e7\u00fcl\u00fc\u011f\u00fcn y\u00fckseli\u015fi ve devlet\u00e7ili\u011fin ekonomik krize girmesi gibi 1970 y\u0131llar\u0131nda birbirinden ba\u011f\u0131ms\u0131z s\u00fcre\u00e7lerin bir araya gelmesi ile Yeni D\u00fcnya \u015fekillenmeye ba\u015flam\u0131\u015ft\u0131r. Bu s\u00fcre\u00e7lerin sonunda ise a\u011f toplumu d\u00fczeninin temeli at\u0131lm\u0131\u015ft\u0131r. Zamansal ve uzamsal farkl\u0131l\u0131klar\u0131n yok olmas\u0131 ile beraber \u201cGer\u00e7ek Sanall\u0131k\u201d denilen yeni bir k\u00fclt\u00fcr do\u011fmu\u015ftur (Castells, 2008: 486). Geleneksel medya ara\u00e7lar\u0131n\u0131n yeni medya ara\u00e7lar\u0131na evrilmekte oldu\u011fu bu s\u00fcreci anlamak analitik bir g\u00f6zlem ile m\u00fcmk\u00fcn olabilmektedir. Teknoloji, toplumlar\u0131n ihtiya\u00e7lar\u0131 baz\u0131nda kendini yenilemekte ve denetim halinde toplumu yeniden in\u015fa edebilecek g\u00fcc\u00fc elinde bulundurmaktad\u0131r. Bireyin hayat\u0131n\u0131 idame ettirebilmesi i\u00e7in gerekli olan ileti\u015fimin ger\u00e7ekle\u015febilmesi a\u015famas\u0131nda bu yeni toplum d\u00fczeni bir\u00e7ok alternatif ileti\u015fim kanal\u0131 yaratabilmektedir. Di\u011fer bir tan\u0131m ile elektronik a\u011flar ya\u015fam\u0131m\u0131z\u0131n omurgas\u0131n\u0131 olu\u015fturmaktad\u0131r. K\u00fclt\u00fcrlerin olu\u015fmas\u0131 ve toplumsal yak\u0131nla\u015fmalar\u0131n \u00f6z\u00fcnde insanlar\u0131n ileti\u015fim halinde kalmalar\u0131 en b\u00fcy\u00fck etkendir. Sosyal bilimlerde ileti\u015fim \u00e7al\u0131\u015fmalar\u0131 incelendi\u011finde t\u00fcm alanlar ile ili\u015fkisi oldu\u011fu ve bu alanlar\u0131n birbirleri ile ilintili oldu\u011fu g\u00f6zlemlenmektedir. G\u00fcn\u00fcm\u00fcz yeni medya ortam\u0131n\u0131 Orta \u00c7a\u011f d\u00f6nemine ait edebi eserlerdeki davran\u0131\u015f ve insan ili\u015fkileri ba\u011flam\u0131nda ele alabilmek m\u00fcmk\u00fcnd\u00fcr. \u00c7\u00fcnk\u00fc d\u00f6nemsel bir ak\u0131\u015f ve yenilenme olsa da insan\u0131n bulundu\u011fu ve ya\u015fam\u0131n devaml\u0131l\u0131\u011f\u0131 kapsam\u0131nda ileti\u015fim ve beraberinde getirdi\u011fi etkile\u015fim her zaman yerini korumu\u015ftur. \u0130leti\u015fimsiz d\u00fc\u015f\u00fcn\u00fclemeyen bir d\u00fcnyada birey her d\u00f6nem bu ihtiyac\u0131 kar\u015f\u0131layabilmek i\u00e7in \u00e7e\u015fitli olu\u015fumlar i\u00e7ine girmi\u015ftir. Bu ad\u0131mlardan biri olan karnaval d\u00fczeni ve i\u00e7erisinde bar\u0131nd\u0131rd\u0131\u011f\u0131 \u00f6zellikler yeni medya ileti\u015fim ara\u00e7lar\u0131 arac\u0131l\u0131\u011f\u0131yla ger\u00e7ekle\u015fen ileti\u015fim \u015fekilleri ile benzerlik g\u00f6sterdi\u011fi g\u00f6zlemlenmektedir. Bu \u00e7al\u0131\u015fmada Rus Dil Bilimci Mihail Bahtin\u2019in karnaval ortam\u0131na \u00f6zg\u00fc elde etti\u011fi sonu\u00e7lar perspektifinden g\u00fcn\u00fcm\u00fcz yeni medya uygulamalar\u0131ndan biri olan Instagram uygulamas\u0131 incelenmektedir. Elde edilen bulgular sonucunda Mihail Bahtin\u2019in s\u00f6z etti\u011fi \u00f6zelliklerin birebir yans\u0131malar\u0131n\u0131n Instagram uygulamas\u0131nda kar\u015f\u0131l\u0131klar\u0131 bulundu\u011fu g\u00f6zlemlenmi\u015ftir. Orta \u00c7a\u011f karnaval ortam\u0131na \u00f6zg\u00fc olan tepetaklak d\u00fcnya, grotesk, pazar yeri dili gibi kurama temel olan \u00f6zelliklerin g\u00fcn\u00fcm\u00fcz pop\u00fcler k\u00fclt\u00fcr ortam\u0131nda da kar\u015f\u0131l\u0131klar\u0131 i\u00e7erik analizi y\u00f6ntemi ile incelenmi\u015ftir.<\/p>\n<p><em>\u00a0<\/em><strong><em>Anahtar kelimeler:<\/em><\/strong><em> ileti\u015fim, karnavalesk, Mihail Bahtin, yeni medya<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong>THE REFLECTION OF KARNAVALESK THEORY AND INSTAGRAM<\/strong><\/p>\n<p><em><br \/>\n<\/em><strong>ABSTRACT<br \/>\n<\/strong>In the 1970s, such as the revolution of information technology, the libertarianism and the economic crushing of stateism, the new world began to form with the coming together of independent processes. As a result of this coexistence, the basis of network social order has been laid. With the disappearance of temporal and spatial differences, a new culture has been passed. Real Sanity. This process of evolving traditional media tools into new media tools is possible with an analytical observation. Technology has the power to rebuild itself on the basis of the needs of the societies and to rebuild society in the event of supervision. This new society can create many alternative communication channels as soon as the necessary communication can be realized so that the individual can rescue his life. In other words, electronic networks are the backbone of our lives. At the core of the formation of cultures and social rapprochements, people have the greatest influence on communication. When communication studies are examined within social sciences, it is observed that they are related to all fields and are related to each other. It is possible to discuss today&#8217;s new media environment in the context of the behavior and human relations in the literary works of the Middle Ages. Because, even though there is a periodical flow and renewal, the communication and the interaction that the person has and the continuity of life always maintain their place. In an unconventional world, the individual has entered into various forms in order to meet this need every time. It is observed that one of these steps is the carnival layout and the features it contains are similar to the forms of communication realized through new media communication tools. In this study, Instagram which is one of today&#8217;s new media applications is examined from the perspective of results obtained by Russian Language Scientist Mikhail Bahtin peculiar to carnival environment. As a result of the findings obtained, it is observed that there are provisions in the Instagram application of the mirror images of the properties mentioned by Mikhail Bahtin. The properties that are fundamental to the establishment of the Middle Ages such as the upwelling world, the grotesque, the marketplace language are analyzed in the popular culture environment with the content analysis method.<\/p>\n<p><strong><em>Keywords:<\/em><\/strong> <em>communication, karnavalesk, Mihail Bahtin, new media<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>TAM MET\u0130N<br \/>\n<\/strong><\/p>\n<p><a href=\"http:\/\/yenimedya.aydin.edu.tr\/wp-content\/uploads\/2018\/07\/ejnm_v02i2103.pdf\">PDF<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>KAYNAKLAR<\/strong><\/p>\n<p><em>Aydo\u011fan, F., (2009), Ele\u015ftirel Perspektiften Yeni Medya, Marmara \u0130leti\u015fim Dergisi, Cilt: 15, \u0130stanbul.<br \/>\nAziz, A., (2015), Sosyal Bilimlerde Ara\u015ft\u0131rma Y\u00f6ntemleri ve Teknikleri, Nobel Yay\u0131nlar\u0131, \u0130stanbul.<br \/>\nBahtin, M., (2001), Karnavaldan Romana. Edebiyat Teorisinden Dil Felsefesine Se\u00e7me Yaz\u0131lar, Ayr\u0131nt\u0131 Yay\u0131nlar\u0131, \u0130stanbul.<\/em><\/p>\n<p><em>Bahtin, M., (2004), Dosteyevski Poetikas\u0131n\u0131n Sorunlar\u0131, Metis Yay\u0131nlar\u0131, \u0130stanbul.<br \/>\nBahtin, M., (2005), Rabelais ve D\u00fcnyas\u0131. (\u00c7ev.) \u00c7i\u00e7ek \u00d6ztek, Ayr\u0131nt\u0131 Yay\u0131nlar\u0131, \u0130stanbul.<br \/>\nBald\u0131n\u0131 , M,. (2000), \u0130leti\u015fim Tarihi. \u00c7ev. G\u00fcl Batu\u015f, Avc\u0131ol Bas\u0131mevi, \u0130stanbul.<br \/>\nBorges, L., (1995). Yollar\u0131 \u00c7atallanan Bah\u00e7e, \u0130leti\u015fim Yay\u0131nlar\u0131, \u0130stanbul.<br \/>\nBozkurt, V,. (2000), \u2018\u2019G\u00f6zetim Toplumu ve \u0130nternet\u2019\u2019, Birikim Dergisi, Say\u0131: 136.<br \/>\nBrandist, C., (2011), Bakhtin Ve \u00c7evresi, Do\u011fu Bat\u0131 Yay\u0131nlar\u0131, \u0130stanbul.<\/em> <em><br \/>\nCastells, M., (2008), Bin Y\u0131l\u0131n Sonu, Bilgi \u00dcniversitesi Yay\u0131nlar\u0131, \u0130stanbul.<br \/>\nCastells, M., (2010), The Rise of Network Society. 2nd. Ed.With a New Preface. United Kingdom: Wiley-Blackwell Publishers.<br \/>\nCastells, M.,(2004). \u201cAn Introduction to the Information Age\u201d The Information Society Reader, Edit\u00f6r: Frank Webster, Routledge, Londra.<br \/>\nF\u0131ske, J., (2014), \u0130leti\u015fim \u00c7al\u0131\u015fmalar\u0131na Giri\u015f, Pharmakon Yay\u0131nevi, Ankara.<\/em><br \/>\n<em>Goffman, E., (2009). G\u00fcnl\u00fck Ya\u015famda Benli\u011fin Sunumu, Metis Yay\u0131nlar\u0131, Ankara.<br \/>\nG\u00fcng\u00f6r, N., (2011), \u0130leti\u015fim Kuramlar Ve Yakla\u015f\u0131mlar\u0131, Siyasal Kitabevi, \u0130stanbul.<\/em><\/p>\n<p><em>Hanehalk\u0131 Bili\u015fim Teknolojileri Kullan\u0131m Ara\u015ft\u0131rmas\u0131 2017, TU\u0130K, http:\/\/www.tuik.gov.tr\/PreTablo.do?alt_id=1028, (Eri\u015fim Tarihi 15.03.2018).<br \/>\nK\u0131p\u00e7ak, N., \u2018\u2019 Yeni Karnaval Olarak Yeni Medya: Karnavalesk Nitelikleri \u0130le Twitter\u2019\u2019 Marmara \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fc Radyo Televizyon Ve Sinema Anabilim Dal\u0131 \u0130leti\u015fim Bilimleri Bilim Dal\u0131 Doktora Tezi, \u0130stanbul, 2016.<br \/>\nManov\u0131ch, L., (2001), The Language of New Media, Cambridge: The MIT Press.<br \/>\nMcLuhan, M.,(2007), Gutenberg Galaksisi: Tipografik \u0130nsan\u0131n Olu\u015fumu, Yap\u0131 Kredi Yay\u0131nlar\u0131, \u0130stanbul .<br \/>\nNeuman, L.,(2016), Toplumsal Ara\u015ft\u0131rma Y\u00f6ntemleri, Yay\u0131n Odas\u0131, Ankara.<\/em><\/p>\n<p><em>Sosyalmedya.co, http:\/\/sosyalmedya.co\/instagram\/ (Eri\u015fim Tarihi 15.03.2018).<br \/>\nYaylag\u00fcl, L., (2015), Kitle \u0130leti\u015fim Kuramlar\u0131, Egemen Ve Ele\u015ftirel Yakla\u015f\u0131mlar, Dipnot Yay\u0131nlar\u0131, \u0130stanbul.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>KARNAVALESK KURAMI VE INSTAGRAM ORTAMINA YANSIMALARI \u00a0 Ece UYGUN Deniz AKBULUT \u00d6Z Enformasyon teknolojisi devrimi, \u00f6zg\u00fcrl\u00fck\u00e7\u00fcl\u00fc\u011f\u00fcn y\u00fckseli\u015fi ve devlet\u00e7ili\u011fin ekonomik krize girmesi gibi 1970 y\u0131llar\u0131nda birbirinden ba\u011f\u0131ms\u0131z&#8230; <\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-734","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/734"}],"collection":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/comments?post=734"}],"version-history":[{"count":5,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/734\/revisions"}],"predecessor-version":[{"id":797,"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/pages\/734\/revisions\/797"}],"wp:attachment":[{"href":"https:\/\/yenimedya.aydin.edu.tr\/tr\/wp-json\/wp\/v2\/media?parent=734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}